Several of his more influential articles on theory, narrative, and style were collected in Poetics of Cinema (2007), named in homage after the famous anthology of Russian formalist film theory Poetika Kino, edited by Boris Eikhenbaum in 1927.īordwell spent nearly the entirety of his career as a professor of film at the University of Wisconsin–Madison, where he is currently the Jacques Ledoux Professor of Film Studies, Emeritus in the Department of Communication Arts. His largest work to date remains The Classical Hollywood Cinema: Film Style and Mode of Production to 1960 (1985), written in collaboration with Thompson and Janet Staiger. With aesthetic philosopher Noël Carroll, Bordwell edited the anthology Post-Theory: Reconstructing Film Studies (1996), a polemic on the state of contemporary film theory. Film Art, currently being published in its 12th edition, is still used as a seminal text in introductory film courses. With his wife Kristin Thompson, Bordwell wrote the textbooks Film Art (1979) and Film History (1994).

Since receiving his PhD from the University of Iowa in 1974, he has written more than fifteen volumes on the subject of cinema including Narration in the Fiction Film (1985), Ozu and the Poetics of Cinema (1988), Making Meaning (1989), and On the History of Film Style (1997). Neoformalism, historical poetics, linguistic film theoryĭavid Jay Bordwell ( / ˈ b ɔːr d w ɛ l/ born July 23, 1947) is an American film theorist and film historian.

Film art bordwell